Archive for the ‘Photoshoot’ Category
Nicole • January 09, 2019

THE LAST MAGAZINE – It’s December, a week before Christmas, and the English actress Jenna Coleman finally has some time to herself. “We just wrapped another season of Victoria, which is amazing because I’m home,” she exhales, referring to the PBS series on which she plays the eponymous queen so momentous she had an entire era named after her. “I’m literally cutting up vegetables as I speak to you—in my own clothes for probably the first time this year.”

Coleman has been acting since she was eighteen years old, when she landed a part in the long-running British soap opera Emmerdale. This experience proved more useful than drama school, offering her the opportunity to work with a range of different actors and directors during her four years on the show. Over the course of the last decade, her career has continued to blossom, first as the companion of the eleventh doctor (played by Matt Smith) on the classic series Doctor Who and now as the sex-loving, perennially pregnant young queen in Victoria, which returns for its third season this week. None of this, however, prepared her for her latest role as Joanna.

In the new Sundance Now miniseries The Cry, Coleman’s Joanna is a schoolteacher who falls for Alistair (Ewen Leslie), a media savant with a commanding presence and a way with words that clearly overpower her. After losing their infant son to unforeseen circumstances, the couple face the insatiable media, relentless and untrusting detectives, concerned relatives, and even agitated exes. “I felt like she was the last person in the world who would ever want that kind of attention, especially when we first meet her,” explains Coleman. “She’s kind of small and wearing this gray sweater and wants to curl up into a ball.”

(Read the rest of the article at the source)

Check the first Jenna photoshoot of the new year in our gallery!

Photoshoots > Sessions from 2019 > 001 – The Last Magazine [+4]
Nicole • November 28, 2018

FLAUNT “New mothers are a silent tribe of warriors,” actress Jenna Coleman tells me, just a few minutes after her arrival for our meeting in London’s bohemian Soho neighborhood. She’s effortlessly pretty—deep brown eyes, a winning smile, chestnut hair and striking brows. The words, she explains, are not hers but those of a close friend: a new mother she spoke to ahead of filming her latest drama, The Cry. Whilst Coleman, a youthful 32-years-old, is not a mother herself, she already knows a thing or two about motherhood: playing the titular queen in television series Victoria, she’s already given birth on screen not one, but seven times. “Seven babies, nine altogether,” Coleman laughs. “Two more to go yet!”

Her role as new mother Joanna in The Cry is one of Coleman’s most controversial to date. A psychological thriller based on the novel by Australian author Helen Fitzgerald, the drama is already winning praise for its unflinching portrayal of motherhood. In the early episodes of the program, Coleman’s character struggles to adapt to the manifold challenges that motherhood brings. “She’s lost her identity,” Coleman says of Joanna, a new mum whose ideas of motherhood prove at odds with the reality. More truth is needed, Coleman says, about portrayals of mothers—and women—on our screens.

“There’s so much pressure on it being the most beautiful, precious, and special time of your life. If you don’t treasure every minute of it, then somehow you’re a failure. The reality is wildly different,” Coleman says, matter-of-factly. The two characters Coleman plays—Queen Victoria and new mum Joanna—couldn’t be further apart. Yet playing each emphasized to Coleman the differences in the way modern society treats new mothers compared to the past. “In the Victorian era if you had a baby, you had to go into confinement for a month to help your body to recover, and people helped you with the transition into motherhood. Now, you can literally be out of the hospital in six hours and you’re left to it. In our society, perhaps we need to be more open to how much of a challenge it can be…we need greater empathy.”

(Read the rest of the entry at the source)

Photoshoots > Sessions from 2018 > 006 – Flaunt Magazine [+9]

Nicole • October 15, 2018

The gallery has been updated with some exclusive outtakes from Jenna’s The Telegraph photoshoot! Jenna in a suit and looking really good!!! Enjoy them :)

(HD screencaps from yesterday’s episode of The Cry are coming soon.)

hotoshoots > Sessions from 2018 > 004 – The Telegraph [+16]
Nicole • October 05, 2018

ROLLACOASTER – Allow me to introduce the “impossible girl”. She’s visited hundreds of galaxies with a Time Lord and ruled the British Empire, dealt with dukes and Daleks (I’ll leave you to decide which are worse), but right now the most impossible thing she’s facing is trying to find somewhere to chat to me on the phone without cracking up the people around her. “Sorry!” She laughs when we finally connect. “You just caught me in the car with my driver and I knew he’d just giggle at everything I’m saying!”

Of course, the girl in question is Jenna Coleman, who obtained the tagline from her role as the Eleventh Doctor’s companion in the beloved BBC series Doctor Who. Accompanying both Matt Smith and Peter Capaldi’s Doctor, Jenna rose to fame as Clara Oswald, the witty school teacher with the ability to charm alien life forms in numerous universes.

The chance to escape to different world’s has always appealed to Jenna and exploring alternate realities is what first made her want to get into acting. “I remember reading Enid Blyton and loads of books and their worlds becoming very vivid in my head,” she recalls. “I just remember being really, really young and for some reason it always just felt very simple. Acting was always what I wanted to do, it was more the ‘how’ that was always the more complicated thing.”

Putting in the hard work to make the “how” happen, Jenna scored her first role in Emmerdale in 2005, before getting the coveted companion role in 2012. Stepping into such a popular fandom was initially quite intimidating, but Jenna has since established a legacy as one of the most loved of the Doctor’s partners (soz, Martha). “I’ve never done anything where you’re the only new cog in a very oiled machine,” she explains. “It’s like you’re literally the only newbie on your own, which is quite a strange thing. You kind of have to hop onto a train that’s already full-speed ahead.”

(Read the rest of the article at the source)

Photoshoots > Sessions from 2018 > 003 – Rollacoaster [+9]
Nicole • September 30, 2018

THE TELEGRAPH – Towards the end of the first episode of The Cry, the BBC drama sent to fill the gaping Sunday night chasm left by Bodyguard, Jenna Coleman’s character, Joanna – a mother suffering from postnatal depression whose baby son suddenly disappears – talks about what it is like having two faces: one to be scrutinised by the public, another that exists in private.

It is, of course, a terrible cliché for an interviewer to draw parallels between an actor and the character they are playing. But given our insatiable social-media-fuelled appetite for personal information (and the fact that Coleman has had her love life very publicly dissected), when I meet the 32-year-old in a London hotel, I feel vaguely justified in trying to do just that.

She smiles. “I guess there is that,” she says. “I mean, I can definitely associate with that sensation of feeling… exposed.” Coleman was once linked with Prince Harry after she was photographed talking to him at a polo match. She used to go out with Richard Madden, star of Bodyguard (yes, she watched it) and is now shacked up with Tom Hughes, who plays her on-screen husband in Victoria. So she knows a bit about having all eyes on her.

The twist in The Cry, Coleman points out, is that the mother, Joanna, hasn’t signed up for anything like that. “She is a primary school teacher, who is quite shy, who is having to go through these horrific circumstances with all of these cameras pointed at her.” She notes that in the novel on which the new four-part drama is based, by the Australian thriller writer Helen FitzGerald, Joanna describes “feeling like an animal in a zoo”.

We now live in a world where every facial expression, every move, gets interpreted – and often as something that it isn’t. Coleman asks if I have seen the Nosedive episode of Charlie Brooker’s science fiction series Black Mirror, in which people give each other star ratings after every interaction.

(Read the rest of the article at the source)

Photoshoots > Sessions from 2018 > 004 – The Telegraph [+1]